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LOSING MY EDGE




Losing My Edge unfolds through the collision of moving images and sound: video traces of underground experimentation meet newly composed studies in rhythm and form. Each musical piece is born from self-imposed limitations, designed to press against the threshold of what might still be called dance music.

The moving image, treated through audio-reactive distortion, becomes both companion and counterpoint to the music. Familiar gestures of bodies, spaces, and machines reappear only to be unsettled; folded into new patterns where memory and invention blur. Distortion here is not simply effect, but method: a reminder that musical forms can evolve through exchange, tension, and continual reinvention. 

Rather than offering an answer, the installation opens a field of resonance between personal exploration and what has been. Its audio visual intensity seeks not to dictate meaning but to create space for reflection between past and future, structure and collapse, nostalgia and possibility, where dance music is continually undone and remade.

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Single-channel video installation, 8.45 minutes. Found video material processed through an audio-reactive system. Original sound composed using constraint-based compositional studies in ryhthm, texture, and form. Projected at large scale with stereo audio. Produced in 2021.